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Related Links:
Goethe Institut
Glasgow
CCA
Tramway
TIMELOOP
took place across Glasgow from the 12th April until 19th May 2007.
Info on all the events is detailed below.
For some images of the events at Street Level, CCA talk and Spectrum
Launch, GFT and Gallery of Modern Art click the images below.
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TIMELOOP and Events at Street Level
TALK
Sat 14th April, 3pm
Sandra Thomas
from ‘imai – inter media art
institute’
The foundation imai - intermedia art institute is Germany´s first
non-profit institution dedicated to support the distribution, preservation
and research of video and media based arts. Cooperations with curators,
universities and institutions provide the necessary international platform
for the represented artists. imai is an open forum for an international
community dealing with questions of exhibition, preservation and dissemination
of audio-visual arts. The aim of imai is also to support research in the
fields of media art through cooperation with universities and art academies
and by initiating and coordinating research projects. Among the scheduled
regularly held events are video screenings, lectures, conferences, seminars
and exhibition projects like the extensive Gary Hill show Values in autumn
2007. Sandra Thomas, co-Director of imai will discuss the institutions
work, with contributions from the artist Myriam Thyes in the context of
‘TIMELOOP’.
EXHIBITIONS
Sat 14th April – Sat 19th May
Multiple Madonna
by Myriam Thyes
Maalesh by
Boaz Kaizma
MediaArtArchive
Gallery Times: Weds – Sat: 12am – 5pm,
Closed Sun/Mon/Tues
Multiple Madonna
(a video-triptych 2002-2007, duration 9 minute loop): On each screen of
the installation the same process is shown in three variations: a Russian
matryoshka stacking doll is pulled apart, then the 10 dolls are placed
one inside the other again. Thyes painted the inside of the dolls in red,
black and white, a colour combination which in many cultures and religions
has a mythical significance. The text, spoken by a female voice, names
elementary things, situations and feelings that may happen to all of us.
The regular movement of the hands, the hard-edged bright colours and the
geometrical order, as well as the spoken sentences give the process a
ritual character.
The triptych installation Multiple Madonna and the matryoshka doll itself
are reminiscent of multiple goddess myths and of ancient mother-daughter
genealogies. Despite these references, these ‘rituals’ appear
to be both solemn and somehow peculiar and light: the way children play;
they take serious what they do and yet know, that everything could be
quite different.
Myriam Thyes studied
at the Academy of Fine Arts in Düsseldorf with Professor Nan Hoover.
Her works are concerned with the analysis and re-evaluation of cultural
symbols of power and belief, and an exploration of gender roles, colonialism
and myths. Her ongoing participatory project is Flag Metamorphoses, an
exploration into the meaning of imagery on flags, aiming to create interrelated
associations through questioning, reassessing, fluidizing and re-mixing
of diverse national iconography.
Maalesh (video
projection, 2004, duration 22 minutes looped) by Boaz
Kaizman (in cooperation with Eric Sick) (which
is Arabic for ‘never mind’), is based on an interview with
Prof. David Galloway, the former director of the Teheran Museums of Contemporary
Art (1977-78), which was a gift from the Empress of Iran to her people
on her 40th birthday. Shortly after the museum was opened, the Islamic
revolution in Iran started, and Prof. Galloway had to leave the country.
Kaizman places the off-camera recording of Galloway’s tales over
striking images of a collection of Persian carpets, filmed from above,
like pages turning in a book.
Kaizman not only works on video: rather he crosses the borders between
different cultures, media, and art forms. Objects and words are arranged
not as an easily-consumable whole, and through their tension something
rather new arises.
Boaz Kaizman was born in Tel Aviv in 1962. He studied in Israel at the
Avni Institute and the Ramat-Hasharon Academy for Teachers of Art. In
Germany he studied at Art Academy in Düsseldorf. Single and group
exhibitions of Kaizman’s work have been presented in Germany, Israel,
the Netherlands, Belgium, Spain, Serbia and Chile. Since 1993, he lives
and works in Cologne, Germany. Maalesh is in the collection of Museum
Ludwig, Cologne.
Street Level also presents MediaArtArchive,
the digital catalogue of the foundation imai
- intermedia art institute. The extensive database makes video art accessible
online. It now contains 1200 video art works and numerous additional documents.
A continuous expansion of the collection is scheduled.
The Content Management System, developed to deal with the demands of time-
and space-based media art works, offers the possibility to archive audio-visual
art works adequate to the media-inherent qualities and with a maximum
of consistency. Users may query the database by artists, titles, year
of creation and keywords and preview whole works or single sequences in
preview quality. Additional information, metadata and accompanying documents
such as synopses of the works as well as artists’ biographies will
enhance the insight into media art and its cultural context. This way
it establishes an art historical context for contemporary works and is
an instrument to reveal links and historical lines.
Timeloop
12th
April – 19th May 2007
TIMELOOP is a
unique cross-venue programme exploring one of the most influential art
forms of the twentieth century - video art.
With artists video populating Scottish galleries increasingly, TIMELOOP
links some of Glasgows arts venues around a shared international thematic
of media art production within a German context.
The season presents installations at CCA and Street Level Photoworks,
and offers a rich series of talks extending to Glasgow School of Art,
Gallery of Modern Art and Tramway. These topics make up a central but
often neglected chapter in recent art history, but one that is gaining
greater critical momentum and recognition.
TIMELOOP is presented
in association with the Goethe-Institut, Glasgow and Arts Development
Department of Glasgow City Council.
Download
the programme in PDF format
Events Diary
Thurs 12th April
- 6pm Gallery of Modern Art
- Talk by Doris Krystof.
Fri 13th April
- 10.30am - Glasgow Film Theatre
- Lecture by Doris Krystof.
Fri 13th April
- 7pm - Centre for Contemporary Arts
- ‘Spectrum’
launch.
Sat 14th April
- 12noon - Centre for Contemporary Arts
- Talk by Nan Hoover.
Sat 14th April
- 3pm - Street Level Photoworks
- Talk by Sandra Thomas.
Sat 14th April
- 5pm - Street Level Photoworks
- ‘TIMELOOP’
reception.
Weds 18th April
- 6.30pm - Tramway
- Lecture by Jochen Gerz.
14th April –
12th May - Centre
for Contemporary Arts
‘Spectrum’.
Installations by Nan Hoover
and Nina Könnemann.
’40 Years Video Art’,
medialounge.
14th April – 19th May
- Street Level Photoworks
- Installations by Myriam Thyes
and Boaz Kaizman
- ‘MediaArtArchive’.
TALKS
Thursday 12th April, 6pm
Gallery of Modern Art
‘Exhibiting Artists Film And Video’: an illustrated talk by
Doris Krystof,
curator at K21 Kunstsammlung Nordrhein-Westfalen.
During the 1980s a significant development from monitor presentation to
installation occured. On the eve of digital production, the medium video
not only became established as a pictorial process but was also being
used as a means of documentation. In 2006 a Düsseldorf exhibition
which was part of the project 40yearsvideoart.de focused on the different
aspects within artistic video work in the 1980s in West Germany. In view
of the zeitgeist, private television, population census, Neue Deutsche
Welle and punk, the genuinely socio-political, democratic and utopian
dimensions of video reached their peak during the last years of the German
Federal republic. The presentation of specific video works from the 80s
in formats especially designed for an exhibition room in 2006 is to be
discussed.
Friday 13th April, 10.30am
Glasgow School of Art
SoFA lecture (at GFT)
‘As if memories could deceive me...’
an illustrated lecture by Doris Krystof
History and Politics in 1980s Video Art in Germany, with examples from
works by Marcel Odenbach, Danica Dakic, Korpys/Löffler et al.
Doris Krystof (b. 1961) studied history of art, literature and history
and wrote her PhD thesis on Hendrick Goltzius (1558-1618). She has been
working as a researcher and curator of contemporary art since 1993 (Kunstsammlung
Nordrhein-Westfalen, Düsseldorf; Kunsthalle Vienna). Since 2001 she
has been curator of K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf.
Saturday 14th April 12noon
Centre for Contemporary Arts
Talk by Nan Hoover
Saturday 14th April, 3pm
Street Level Photoworks
‘imai – inter media art institute’
The foundation imai - intermedia art institute is Germany´s first
non-profit institution dedicated to support the distribution, preservation
and research of video and media based arts. Cooperations with curators,
universities and institutions provide the necessary international platform
for the represented artists. imai is an open forum for an international
community dealing with questions of exhibition, preservation and dissemination
of audio-visual arts. The aim of imai is also to support research in the
fields of media art through cooperation with universities and art academies
and by initiating and coordinating research projects. Among the scheduled
regularly held events are video screenings, lectures, conferences, seminars
and exhibition projects like the extensive Gary Hill show Values in autumn
2007. Sandra Thomas, co-Director of imai will discuss the institutions
work, with contributions from the artists Myrian Thyes and Boaz Kaizman
in the context of ‘TIMELOOP’.
Wednesday 18th April, 6.30pm
Tramway
Lecture by Jochen Gerz
Jochen Gerz will talk about his video practice with relation to his work
Rufen bis zur Erschöpfung / To Cry Until Exhaustion [1972, 19’30’’]
where, on the grounds of what would become Charles de Gaulle Airport,
Gerz calls out in the direction of a camera and a microphone until his
voice gives out. Jochen Gerz is an internationally renowned artist who
explores issues of human rights and social change through the creation
of monuments and projects all over the world. He will also give a talk
at Common Work, Tramway’s conference on socially engaged art practice
(April 19/20).
EXHIBITIONS
Saturday 14th April – Saturday 12th May
Centre for Contemporary Arts
‘Spectrum’
Nan Hoover
Nina Könnemann
40yearsvideoart.de
Gallery Times: Tues – Fri: 11am – 6pm, Sat: 11am – 6pm,
Closed Sun & Mon
A medialounge at the CCA presents 40yearsvideoart.de plus the work of
two prominent female artists, Nan Hoover and Nina Könnemann, whose
work spans this era.
Nan Hoover was born in New York, USA, in 1931 and is currently working
and living in Berlin, Germany. It 1973 Hoover started experimenting with
video, both functioning as an extension of her painting practice and as
a documentary medium. The work remains centred around linear, real-time
scenes that are left relatively unedited. By using her own body as the
primary artistic device in the works she is authoring, Hoover challenges
dominant Western codes of representation, in which women are always the
object and never the subject of the gaze. The videos often explore a visual
ambiguity between body and landscape or abstract and ‘natural’
forms, being pervaded by an internal rhythm or pulse created by subtle,
ongoing movements of light and form. Through these techniques Hoover presses
viewers to consider the physical and psychoanalytic conditions of visibility
and to evaluate the question of how they are linked to the formation of
the subject.
Nina Könnemann devotes herself to public spaces, non places and to
undramatic events as in Unrise and M.U.D. where one observes the early
morning scenery on the day after an open-air concert, or in Castles made
of Sand, which atmospherically captures places lodged underground.
‘The people in Könnemann’s videos always look like they’re
on the run. They dash about for no apparent reason, constantly in motion,
coolly followed by the camera; they never rest, never stand still. These
are lost figures in a nonplace at an indeterminate time of day, torn free
of all social relations, isolated, lonely and yet a part of the all-encompassing
mass, able to be formed and yet individualist; they are the agonists of
our leisure time, a society of pleasure seekers attempting to escape the
dreary everyday.’ Artforum International Magazine, 2003, Translated
from German by Sara Ogger.
The medialounge at the CCA presents ‘40yearsvideoart.de: Digital
Heritage: Video Art in Germany From 1963 To The Present’ an initiative
of the German Federal Cultural Foundation and realised by ZKM Karlsruhe
and K21 Kunstsammlung Nordrhein- Westfalen Düsseldorf. 40yearsvideoart.de
- Digital Heritage is a ground-breaking project which focuses on saving,
maintaining, and mediating the cultural heritage of video art.
In 2004, a jury compiled an exemplary selection of 59 single-channel works
from 1963 up to the present, which included pioneers of the early years
as well as younger artists and thus presenting a variety of formats and
artistic strategies. Over the course of the next two years, original master
tapes, sub-masters, first and second generation copies were evaluated
and restorative work was carried out, using the latest techniques and
methods, and all works were stored on high-quality digital formats.
40yearsvideoart.de is accompanied by two major publications: a comprehensive,
full-colour catalogue which includes excerpts of all the works on a DVD-ROM,
and a DVD Study Edition with all the selected works in their full length,
and all available to view at the CCA.Saturday .